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| Maker and role | Title | Accession number | Year | Location | ||
|---|---|---|---|---|---|---|
|
Artist: Vincent Valdez, American, born 1977
|
Virgin of Guadalupe
|
2019.51
|
2001
|
On view/SCE Sculpture Gallery
|
|
|
Artist: Oliver Clegg, British, born 1980
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I Am Pretty Sure My Imagination Functions Better When I Don't Have To Speak
|
2020.26
|
2019
|
On view/Hamon Gallery 4
|
|
|
Artist: Alexander Archipenko, American, born Russia (now Ukraine), 1887-1964
|
Seated Figure
|
1975.58
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1912, cast 1967-1970
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On view/Hamon Gallery 3
|
|
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Artist: Henri Matisse, French, 1869-1954
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Marie-José en robe jaune (Marie José in a Yellow Dress)
|
1975.105
|
ca. 1950
|
Not on view
|
|
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Artist: Grace Hartigan, American, 1922-2008
|
The Far Away Places
|
1976.10
|
1974
|
Not on view
|
|
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Artist: Roy Lichtenstein, American, 1923-1997
|
Cathedral #3
|
1976.15
|
1969
|
Not on view
|
|
|
Artist: Louise Nevelson, American, born Russia (now Ukraine), 1899-1988
|
End of Day Nightscape V
|
1976.20
|
1973
|
On view/Large Lang Gallery
|
|
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Artist: Dorothy Hood, American, 1919-2000
|
Extensor of the Sky
|
1976.19
|
1973
|
Not on view
|
|
|
Artist: Georges Rouault, French, 1871-1958
|
Ne Sommes-nous pas Forçats? (Are We Not All Convicts?) from Miserere
|
1976.46.6
|
1926, printed 1948
|
Not on view
|
|
|
Artist: José Dolores López, New Mexican, 1868-1937
|
Nuestra Señora de Guadalupe (Our Lady of Guadalupe)
|
1950.263
|
On view/Oppenheimer Gallery 3
|
||
|
Artist: Georges Rouault, French, 1871-1958
|
Il Serait si Doux d'Aimer (It Would Be so Sweet to Love) from Miserere
|
1976.46.13
|
1923, printed 1948
|
Not on view
|
|
|
Artist: Georges Rouault, French, 1871-1958
|
En tant d'Ordres Divers, le Beau Métier d'Ensemencer une Terre Hostile (In so Many Different Ways, the Noble Vocation of Sowing in Hostile Land) from Miserere
|
1976.46.22
|
1923, printed 1948
|
Not on view
|
|
|
Artist: Georges Rouault, French, 1871-1958
|
Homo Homini Lupus (Man is a Wolf to Man) from Miserere
|
1976.46.37
|
1926, printed 1948
|
Not on view
|
|
|
Artist: Georges Rouault, French, 1871-1958
|
Jésus sera en Agonie jusqu'à la Fin du Monde...(Jesus will be in Anguish until the End of the World) from Miserere
|
1976.46.35
|
1922, printed 1948
|
Not on view
|
|
|
Artist: Georges Rouault, French, 1871-1958
|
Le Juste, Comme le Bois de Santal, Parfume la Hache qui le Frappe (The Righteous, like Sandalwood, Perfume the Axe that Falls on Them) from Miserere
|
1976.46.46
|
1926, printed 1948
|
Not on view
|
|
|
Artist: Georges Rouault, French, 1871-1958
|
Plus le Coeur est Noble, Moins le Col est Roide (The Nobler the Heart, the Less Stiff the Collar) from Miserere
|
1976.46.49
|
1926, printed 1948
|
Not on view
|
|
|
Artist: Georges Rouault, French, 1871-1958
|
Dura Lex sed Lex (The Law is Hard, but it is the Law) from Miserere
|
1976.46.52
|
1926, printed 1948
|
Not on view
|
|
|
Artist: Georges Rouault, French, 1871-1958
|
Vierge aux Sept Glaives (Virgin of the Seven Swords) from Miserere
|
1976.46.53
|
1926, printed 1948
|
Not on view
|
|
|
Artist: Robert Indiana, American, 1928-2018
|
Scene design for Susan B. Anthony's drawing room, Act II, scenes 1-2, in The Mother of Us All
|
1978.11.41
|
1976
|
Not on view
|
|
|
Artist: Robert Indiana, American, 1928-2018
|
Scene design for Susan B.'s Room, Act I, scene 1, in The Mother of Us All
|
1978.11.37
|
1976
|
Not on view
|
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