Guitar and Wine Glass

Maker and role
Artist: Pablo Picasso, Spanish, 1881-1973
See full details

Object detail

Collage and charcoal on board
18 7/8 x 14 3/4in (47.9 x 37.5cm)
Credit line
Bequest of Marion Koogler McNay
Accession number
Picasso: Fifty Years of His Art; Alfred Barr; 1946
Picasso; Christian Zervos; 1949; p. 84; 423
Form and Design (Art Treasures of the World); Seymour Slive; 1953; pp. 16-18; illus. 17
ARTnews; Sep 1958; p. 48; fig. 5
Collage International Exhibition; Contemporary Arts Association; 1958
Cubism in Retrospect, 1911-1929; 1959
Painting and Understanding Abstract Art: An Approach to Contemporary Methods; Leonard Brooks (Canadian, b.1911, d.2011); 1964
Picasso: Two Concurrent Retrospective Exhibitions; 1967; p. 33, 94; no. 23
Sculpture from Junk; Henry Rasmusen, Art Grant; 1968
Art from Found Materials: Discarded and Natural; Mary Lou Stribling; 1970
The Cubist Epoch; Douglas Cooper; 1970
Artforum; Feb 1971; p. 36
The Burlington Magazine; Oct 1971
The Modern Image; 1972
ARTnews; Summer 1973; p. 449
Gazette des Beaux-Arts; 1973; p. 219-220
Reality Reassembled (The Meanings of Modern Art); John Russell; 1975
Picasso: The Cubist Years 1907-1916: A Catalogue Raisonné of the Paintings and Related Works; Pierre Daix (b.1922, d.2014), Joan Rosselet; 1979; no. 513
ArtsCanada; Fall 1980; p. 37-40
Picasso; 1981
Journal du Cubisme; Pierre Daix (b.1922, d.2014); 1982
Cubists and Cubism; Pierre Daix (b.1922, d.2014); 1982
La Révolution Cubiste; Serge Fauchereau; 1982
Georges Braque: The Papiers Collés; Isabelle Monod-Fontaine; 1982
"Picasso: Anarchism and Art, 1897-1914"; Patricia Leighten (b.1946); 1983; Dissertation
The Essential Cubism, 1907-1920: Braque, Picasso, and their Friends; Douglas Cooper, Gary Tinterow; 1983; p. 280; no. 135
The New York Times; May 15, 1983
The Kenyon Review; Jan 1984
Picasso; Keizo Kanki; 1985; vol. 12
The Art Bulletin; 1985
Arts Magazine; Dec 1985; p. 80-85
Spanish Still Life in the Golden Age, 1600-1650; William Jordan (American, b.1940, d.2018); 1985
Collecting: A Texas Phenomenon; 1986; p. 68; no. 6
"In Defiance of Painting: Cubism, Futurism, and the Invention of Collage"; Christine Poggi; 1986; Dissertation
Matisse: The Man and His Art, 1869-1918; Jack Flam; 1986
Kunst: Sehen und Verstehen; Werner Busch; 1986
Representations; Spring 1987
Yale Journal of Criticism; Fall 1987
William Carlos Williams, The Arts, and Literary Tradition; Peter Schmidt (German, b.1931); 1988; Image on cover
Enquiry; 1987-88
Infinite Incantations of Ourselves: Painterly Abstraction in Modernist American Poetry; Charles Altieri (b.1942); 1988
Art Journal; Winter 1988
Art Journal; Winter 1988; p. 356; fig. 3
Collage: Critical Views; 1989; 1989
ARTnews; Dec 1989
Re-ordering the Universe: Picasso and Anarchism, 1897-1914; Patricia Leighten (b.1946); 1989
Picasso and Braque: Pioneering Cubism; William Rubin; 1989
Avant-Garde/Neo-Avant-Garde; Dietrich Scheunemann; 1989; chapter
High and Low: Modern Art and Pop Culture; Kirk Varnedoe (b.1946, d.2003), Adam Gopnik (b.1956); 1990; p. 94
Modern Art and Pop Culture: Readings in High and Low; Kirk Varnedoe (b.1946, d.2003), Adam Gopnik (b.1956); 1990
Structured Obscurity: Gertrude Stein and the Limits of Language; Randa Dubnick; 1991
A Life of Picasso, Volume II: 1907-1917: The Painter of Modern Life; John Richardson (b.1924, d.2019); 1991
Picasso and Braque: A Symposium; Lynn Zelevansky; 1992; p. 188
Exhibition of Painting by Picasso and Matisse shown at the Victoria and Albert Museum; Yasujiro Otaka; 1992; vol. 4
Picasso and Things: The Still Lifes of Picasso; Jean Sutherland Boggs (b.1922, d.2014); 1992; no. 35
Collage, Assemblage, and the Found Object in Twentieth Century Art; Diane Waldman (b.1936); 1992
In Defiance of Painting: Cubism, Futurism, and the Invention of Collage; Christine Poggi; 1992
Sehende Liebe: Ästhetische Bildung des Menschen (Seeing Love: Aesthetic Education of Man); Marcel Müller-Wieland; 1992
Musical Quarterly; Winter 1992
New York Literary Forum; Apr 1993
Painting and Sculpture in Europe, 1880-1940; George Heard Hamilton; 1993
Picasso and Braque: Cubism 1907-1914; Statens Museum fur Kunst; 1993
Primitivism, Cubism, Abstraction: The Early Twentieth Century (Modern Art Practices and Debates); Charles Harrison; 1993
A Gallery of Modern Art at Washington University in St. Louis; Jane Neidhardt; Dec 1994
Instant Art History: From Cave Art to Pop Art; Walter Robinson (b.1950); 1995; p. 179-180; fig. 10.3
Pablo Picasso; Asahi Shinbunsha; 1995
Modernism/modernity; Spring 1995
Towards a Theory of the Image; Jon Thompson (b.1936); 1996
Forum for Modern Language Studies; Apr 1996; p. 119-136
Picasso and the Spanish Tradition; Jonathan Brown; 1996; chapter
Picasso; 1996
The Newspaper in Art; Garry Apgar; 1997
Quantum Poetics: Yeats, Pound, Eliot, and the Science of Modernism; Daniel Albright; 1997
Objects of Desire: The Modern Still Life; Margit Rowell; 1997
Art & Ideas: Dada and Surrealism; Matthew Gale; 1997
History of Modern Art; H.H. Arnason; 1998; 4th ed: fig. 212; 5th ed. fig. 10.23
6th ed. fig. 8.24
The Picasso Papers; Rosalind Krauss; 1998; p. 80
Cubism in the Shadow of War: The Avant-Garde and Politics in Paris, 1905-1914; David Cottington; 1998
Their Common Sense; Molly Nesbit (b.1952); 2000
Art & Ideas: Cubism; Neil Cox; 2000
Qu'est-ce que l'art contemporain; Denys Riout; 2000
Modern Art in America: Alfred Stieglitz and His New York Galleries; Sarah Greenough (b.1951); 2000
A Sum of Destructions: Picasso's Cultures and the Creation of Cubism; Natasha Staller; 2001
Picasso's Brothel: Les Demoiselles d'Avignon; Wayne Andersen; 2001
Modern Art at the McNay: A Brief History and Pictorial Survey of the Collection; William J. Chiego; 2001; p. 72
Visible Deeds of Music: Art and Music from Wagner to Cage; Simon Shaw Miller (b.1960); 2002; pp.99-108
Jazz Modernism: From Ellington and Armstrong to Matisse and Joyce; Alfred Appel; 2002
Picasso: Style and Meaning; Elizabeth Cowling; 2002
October; Fall 2002; p. 59-86
Picasso and the Invention of Cubism; Pepe Karmel; 2003
Collage: The Making of Modern Art; Brandon Taylor; 2004; p. 10, 20
Paul Klee and the Decorative in Modern Art; Jenny Anger; 2004
Cubism and its Histories; David Cottington; 2004; fig. 4.22
Il Cubismo, Rivoluzione e Tradizione; Marilyn McCully; 2004
Dada; L. Dickerman; 2005
The Art of Sandra Bowen; James Romaine; 2005
Word and Image; 2006; p. 293-303
Pictures of Nothing: Abstract Art since Pollock; Kirk Varnedoe (b.1946, d.2003); 2006
Modernism as Institution: On the Establishment of an Aesthetic and Historiographic Paradigm; Hans Hayden
The Problem of the House: French Domestic Life and the Rise of Modern Architecture; Alex Anderson; 2006
Les Cahiers du Musée d'Art Moderne; Winter 2006
Nul n'est Prophète en son Pays? L'internationalisation de la Peinture des Avant-Gardes Parisiennes, 1855-1914; Beatrice Joyeux-Prunel; 2007
Picasso Harlequin 1917-1937; Yve-Alain Bois; 2008
The Collage Aesthetic in the Harlem Renaissance; Rachel Farebrother; 2009
The Robert Lehman Collection III: Nineteenth and Twentieth Century European Paintings; Rick Brettell; 2009
Picasso and the Allure of Language; Susan Greenberg Fisher; 2009
Picasso: Guitar Variations, 1912-1914; Anne Umland; 2011; no. 14
The New York Times; Feb 11, 2011; p. C27, C29
Modern Art Notes; Mar 16, 2011
The Times Literary Supplement; April 15, 2011; p. 17
Esteban Vicente in America: Collage, Color, and Somewhere In Between; 2011; p. 20; fig. 5
The Shock of the News; Judith Brodie; 2012
The New York Times; Dec 2, 2012
Museums Journal; Jan 2013
Print Quarterly; Sep 2013; p. 355
The Burlington Magazine; Sep 2013; p. 594-601; cover image, fig. 4
Relations au Travail: Dialogue entre poésie et peinture à l'époque du cubisme, Apollinaire-Picasso-Braque-Gris-Reverdy; Philippe Geinoz; 2014; p. 142, 232, 350, 352-53, 355, 360, 376, 391; ill. VII
Cubism: The Leonard A. Lauder Collection; Emily Braun, Rebecca Rabinow; 2014; p. 144; fig. 62
Brushstroke and Emergence: Courbet, Impressionism, Picasso; James Herbert (b.1959); 2015; p. 124; fig. 42
The Art of Found Objects: Interviews with Texas Artists; Robert Bunch; 2016; p. 2
The Collection of Robert and Sylvia Olnick; 2016; p. 121
Post-War and Contemporary Art Morning Session, November 16, 2016; 2016; p. 82
The Cubism Seminars; Harry Cooper, Linda Goddard; 2017; p. 73, 87-90, 97; no. 7
Art History; 41:4 (February 2018), p. 111-12; pl. 6
Signature & date
Signed verso u.l.: Picasso
Subject period
Docent information sheet
V:\Object Documentation\Drawings and Watercolors\1950.112 Picasso\Art News 1958.pdf
V:\Object Documentation\Drawings and Watercolors\1950.112 Picasso\Collecting Texas Phenomenon 1986.pdf
V:\Object Documentation\Drawings and Watercolors\1950.112 Picasso\Instant Art History Robinson.pdf
V:\Object Documentation\Drawings and Watercolors\1950.112 Picasso\New York Times 2011.pdf
V:\Object Documentation\Drawings and Watercolors\1950.112 Picasso\TLS 2011.pdf
V:\Object Documentation\Drawings and Watercolors\1950.112 Picasso\Burlington Magazine 2013.pdf
V:\Object Documentation\Drawings and Watercolors\1950.112 Picasso\Relations au Travail 2014.pdf
V:\Object Documentation\Drawings and Watercolors\1950.112 Picasso\Art History Stark 2018.pdf


Public comments

So nice

- kia on 20-12-2019 09:09:48

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